and works in New York
BFA School of Visual Arts
Sara Meltzer Gallery, New York, NY
2006 Aldrich Contemporary Art Museum, Ridgefield,
2004 Elizabeth Dee Gallery, New York, NY
2003 Kevin Bruk Gallery, Miami, FL
Dee Gallery, New York, NY
2001 Dee/Glasoe, New York, NY
2000 White Room, White Columns, New York,
Selected Group Exhibitions:
Look Again, Marlborough Gallery Chelsea, New York, curated by
Casey Fremont and Karline Moeller
Vie en Rose, Santa Barbara Contemporary Arts Forum, Santa Barbara,
Benefit Exhibtion, Participant Inc., New York, NY
BlueBalls, APF Lab, New York, curated by Jackie Saccoccio
Brief Encounters, Caren Golden Fine Art, New York
Derek Eller Gallery, New York, curated by Keith Mayerson
Albert Merola Gallery, Provincetown, MA, curated by John Waters
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, curated by Miki
Foundation Benefit, The XChange, New York
2006 Two Friends and So On, Andrew Kreps
Gallery, New York, curated by Johnathan
and Rob Pruitt
the Eye of the Beholder, Elaine L. Jacobs Gallery, Wayne State University,
2005 Sports Illustrated, Islip Art Museum,
East Islip, NY, curated by Karen Shaw
and Feedback, Allston Skirt Gallery, Boston, MA , curated by Lisa
Badge, Middlebrook Estates, Hudson, NY, curated by Jason Middlebrook
at the Neuberger: Recent Acquisitions, Neuberger Museum of Art, Purchase,
Exhibtion, Momenta Art, Brooklyn, NY
2004 The Drawn Page, Aldrich Contemporary
Art Museum, Ridgefield, CT
Sara Meltzer Gallery, New York
Gifts and Acquisitions, Fine Arts Center, University of Massachusetts,
2003 Environs, Feigen Gallery, New York
Sara Meltzer Gallery, New York
2002 Metropolitan, Borgmann/Nathusius,
Jurgen Becker and Karin Gunther, Hamburg, Germany
2001 Westworld, Mary Boone Gallery, New
York, curated by Max Henry
Show, Lawing Gallery, Houston, Texas
2000 Group Show, Dee/Glasoe, New York
Dee/Glasoe, New York, curated by Doug Wada
New York, P.S.1 Contemporary Art Center, Long Island City, New York
1998 Blind Faith, White Columns, New
York, curated by Paul Ha
1996 Everything is Real, Jessica Fredericks,
1995 Group Show, Friedrich Petzel Gallery,
Most Important Thing in the World, Alternative Arts Fair, New York,
New York, curated by Bill Arning
Exhibition, New Museum of Contemporary Art, New York
1993 Paper, Pamela Auchincloss Gallery,
New York, curated by Paul Ha
1991 Group Show, Louis Campania Galerie,
Frankfurt, Germany, curated by Sabine B. Vogel
1989 Visual Arts Gallery, New York, curated by
Grants and Awards:
Marie Walsh Sharpe Foundation Grant
2001 Pollock-Krasner Grant
1998 Edward F. Albee Foundation
Eshoo, Amy, ed. “560 Broadway: A New York Drawing Collection at
University Press, New Haven, p. 179.
2006 Genocchio, Benjamin, “Art Review, Ridgefield’s
Own Given Free Rein,” The New York Times, May 14.
2005 Harrison, Helen A., “Art Reviews; ‘Sports
Illustrated’,” The New York Times, December 25.
2003 Valdez, Sara. “Gallery,” Paper
Magazine, August 2003, p.14.
Barbara, “Nature Boy,” Time Out New York, June 26-July3, p.
Marcel. “Doug Wada, Elizabeth Dee Gallery,” Contemporary,
No. 50, p.84-85.
2002 Henry, Max. “Art Review,” Art
in America, January.
2001 Wege, Astrid. “Douglas Wada, Borgmann/Nathusius,”
Artforum International, Summer, p. 194.
Martha. “Doug Wada, Dee/Glasoe,” Time Out New York, May 17-24,
Nina. “Buy Art Now,” The New York Observer, May 14.
Ken. “Weekend: Doug Wada, Dee/Glasoe,” The New York Times,
Kunstszene, Kolner Stadtanzeiger, 23 March.
2000 White Columns, White Rooms 1997-2000.
Face of Change: 100 Years of Self-Portraits,” LIST/01, Spring/Summer,
Shakers and Style Makers,” B. Smith Style, August/September, p.86.
Christopher. “Art Reviews: ‘Innuendo’,” Time Out
New York, June 29-July6.
Ken. “Art in Review: ‘Innuendo’,” The New York
Times, July 7, p. B29.
John. “Reviews: Painter’s Journal,” Artnet, June 6.
1999 Kelly, Karen and McDonnell, Elizabeth, eds.
“Stars Don’t Stand Still in the Sky: Music and
New York University Press, New York, p.266.
1997 Cotter, Holland. “Art in Review: ‘Blind
Faith’,” The New York Times, January 9, p. E39.
1996 Cotter, Holland. “Art in Review: ‘Everything
is Real’,” The New York Times, August 9, p. C23